The Band are proud to announce the release of their latest CD recording, “Nefarious”. It is available now via digital download or alternatively please use our contact page and we can send you a physical copy with the artwork included. Conducted by Garry Cutt and Tom Davoren this release is a great mix of great brass band classics and new repertoire, some of which first premiered at the 2014 Brass in Concert Championships. Full details each item can be found below:
Peter Graham is one of the most prolific composers in the world of brass and wind bands. Phoenix is taken from his suite War of the Worlds, inspired by the epic science fiction story penned by H. G. Wells. Rich in sweeping melodic line and driving rhythm it evokes images of mankind’s triumphant fight back from desolation and ruin, rising from ashes like the mythical bird of the same name.
Presented in a sumptuous arrangement by Goff Richards, I’ll Walk With God is an original song by Nicholas Brodszky. Taken from the 1954 film, The Student Prince, the onscreen version of the song was portrayed by actor Edmund Purdom, however, it was the overdubbed voice of Mario Lanza that would eventually send Brodszky’s heart wrenching music across the world.
Jim Fieldhouse, Solo Euphonium player with Fairey Band, leads a musical double life as a session saxophone player in the United Kingdom. This original piece was composed for the band’s appearance at the 2014 Brass in Concert Championship. As the name, Nefarious, and Jim’s saxophone background suggests it is music with a dark and addictive groove.
Composer Rodney Newton has a long-standing relationship with Fairey Band, being the arranger behind Jeremy Deller’s initial Acid Brass project. Here the band’s celebrated Principal Cornet, Paul Hughes, offers a sublimely lyrical rendition of the composer’s Dimitri, which is based on music he wrote for a silent film in the late 1990’s.
The name George Allan is synonymous with marches originating from British military music. Those in brass band circles, particularly those who frequent the Whit Friday celebrations, may well be most familiar with his Knight Templar; a contest march which is famed for its majestic bass solo and delicate changes of style.
With a list of film credits that include Academy Award and Golden Globe Award winning scores, the music of James Horner is perhaps some of the most instantly recognisable to the ear today. His score to the film Braveheart was nominated for an Academy Award in 1995, the main love theme from which, For the Love of a Princess, has been subtly adapted for brass band by Andrew Duncan.
Earth Rise was written for the Euphony Quartet, a euphonium quartet made up of Ben Wright, Frances Wilson, Stephen Kane and the composer, James McLeod. Currently the Principal Euphonium of Leyland Band and a Besson Euphonium Artist, James composed this impressive concert opener for a quartet recital in 2011, whilst studying at the Royal Welsh College of Music where the Euphony Quartet was formed. Earth Rise was given its title by David Childs, Euphonium Professor at the college. The work was featured in Euphony’s programme at the RNCM Festival of Brass in 2012 and was also part of their winning performance in the Small Ensemble competition final at the 2012 International Tuba and Euphonium Conference in Linz, Austria. It has now been performed all over Europe and in America. After hearing Euphony quartet play Earth Rise Fairey Band’s Principal Euphonium felt it would be an interesting project to multi-track all four parts for this disc.
The band is most proud to have an award winning bass trombonist in its ranks. 2014 was a spectacular year for Josh Cirtina, being the first British student to win the George Roberts Bass Trombone Competition in Rochester, New York and winning the British Trombone Society ‘Bob Hughes’ National Bass Trombone Competition. Here the band gives Josh some rare time ‘off the leash’, in a typically suave Bill Geldard version of Grieg’s In the Hall of the Mountain King.
Drawn from the text of an old Irish benediction, The Irish Blessing has been set to music by a number of composers the world over. This version by American composer Joyce Eilers Bacak is perhaps the most famous in brass band circles, arranged by bass trombonist Steve Bradnum.
Thanks to a selection of leading personalities in the brass band movement the tenor horn is enjoying a period in the spotlight the likes of which it has never seen before; including exciting new repertoire, innovated methods of teaching and technical instrumental developments. Solo Horn of Fairey Band, Paul Bennett, formerly of Desford Colliery and Britannia Building Bands is one of these personalities. Here he presents a brand new arrangement, by friend Mark Allen, of Baroque composer Johann Quantz’s fiendish flute concerto, the chosen excerpt being simply named Baroque Concerto for Horn by the arranger.
Having composed in a variety of genres including brass band, chamber music and musical theatre, Ben Tubb is one of the most versatile young composers to emerge from the band movement. His Danse Macabre Variations is a unique take on Camille Saint-Saëns demonic original, brimming with power, excitement and virtuosity.
Okavango by Damien Harron is a powerful fanfare for four African djembes. It features lots of strong rhythms and displays layers of polyphony between the quartet and was written during the recording of BackBeat Percussion Quartet’s first CD. Having decided that they needed a short, powerful drum piece to open the CD, Damien rushed home and wrote the piece based on some riffs that had been knocking around in his head for a while. It turned out to be a great fanfare and has opened all of BackBeat’s concerts for the past few years.
Mark Preece is the tuba player with the Regina Orchestra, a provincial symphony orchestra in Saskatchewan, Canada. Here he combines his experience in classical music with his brass band heritage in an arrangement of an organ work by Richard Strauss, Solemn Entrance of the Knights of St John. A grandiose processional composed in 1909, the music is inspired by the Knights and Order of St John, one of the most famous Western Christian military orders during the middle ages.
The Land of Make Believe was the eighth studio album by jazz / pop crossover artist Chuck Mangione. Composed in 1978, the song originally featured vocalist Esther Satterfield and the songwriter’s younger brother, Gap Mangione, on jazz trumpet. In this brand new version arranged by Jim Fieldhouse their roles are fulfilled by the band’s flugel horn soloists, Mike Eccles and John Lees, and Vicky Lundberg on french horn.
Programme Notes – Tom Davoren
Full Track Listing
- Phoenix Peter Graham
- I’ll Walk With God Brodszky arr. Goff Richards
- Nefarious Jim Fieldhouse
- Dimitri Rodney Newton
Cornet Soloist: Paul Hughes
- Knight Templar George Allan
- For the Love of a Princess James Horner arr. Andrew Duncan
- Earth Rise James McLeod
Euphonium Soloist: Jim Fieldhouse
- In the Hall of the Mountain King Grieg arr. Bill Geldard
Bass Trombone Soloist: Josh Cirtina
- The Irish Blessing Bacak arr. Stephen Bradnum
- Baroque Concerto for Horn Quantz arr. Mark Allen
Tenor Horn Soloist: Paul Bennett
- Okavango Damien Harron
Percussion Feature: Graham Proctor, Dave Wycherley, Brian Chan
- Danse Macabre Variations Benjamin Tubb
- Solemn Entry of the Knights of St John Richard Strauss arr. Mark Preece
- Land of Make Believe Chuck Mangione arr. Jim Fieldhouse
It’s that time of year again when the band jet off to sunny Blackpool to compete for a chance to make it to the National Finals in October. This year’s foray at the Winter Gardens resulted in the band successfully defending its title with a rousing rendition of Peter Graham’s fantastic homage to Eric Ball, ‘The Torchbearer’. Many thanks to all the players and those behind the scenes that made the performance as special as it was (especially to musical director Garry Cutt who now builds his number of wins at the north west regional competition to eight). A recording of the performance can be heard on our contest playlist.
A special mention must be made to our top percussion team Graham Proctor, Dave Wycherley, Dan Baldwin & Chan Tung (Brian) for also picking up the percussion prize! The band will join Foden’s to compete at the National Finals on the 10th of October at the Royal Albert Hall, playing Thomas Doss’ ‘Spiriti’.
Adjudicators: David Hirst & Alan Morrison
1. Fairey (Garry Cutt)*
2. Foden’s (Allan Withington)*
3. Wingates (Paul Andrews)
4. Ashton-Under-Lyne (Phil Chalk)
5. Morecambe (Andrew Warriner)
6. Leyland (Michael Bach)
7. Blackburn & Darwen (Huw Thomas)
8. Oldham (Lees) (John Collins)
9. Milnrow (Mark Bentham)
10.Co-operative Funeralcare North West (Jef Sparkes)
11. Pemberton Old Wigan DW (Stig Maersk)
12. Rainford (Gareth Brindle)
13. Vernon Building Society Poynton (Neil Samuel)
Percussion Prize: Fairey
*Top two bands qualify for National Final at Royal Albert Hall
It’s a brand new year and with it comes an invigorated band having just made their first appearance of the year at the annual Festival of Brass event. The festival was held in the newly renovated concert hall at the Royal Northern College of Music (RNCM) in Manchester and ran over the last weekend in Janurary. A full review of the band’s performance from 4barsrest can be found here.
Many thanks to Steve Probert for the above photo (the full gallery can be found here).
This years guest soloist was the internationally renowed performer and euphonium tutor Steven Mead. He had chosen to play the fiendishly difficult ‘Diamond Concerto’ (video here) written for him by Philip Sparke. Live recordings are available below:
Percy Fletcher – The Spirit of Pageantry
Edric Cundell – Blackfriars
Philip Sparke – Diamond Concerto for Euphonium and Band (Steven Mead)
Ernest Farrar (arr Richmond) – Heroic Elegy
Herbert Howells – Pageantry
Maurice Johnstone – Beaufighters
The 38th Brass in Concert Championships were held this weekend with a strong return to form from the band after last year’s placing. As well as coming fourth overall the band’s bass trombone player Josh Cirtina was presented with the Don Lusher Trombone Award for his fantastic rendition of ‘In the Hall of the Mountain King’. This solo will feature on the band’s upcoming CD being released in early 2015. Another two pieces from the band’s program, ‘Nefarious’ and ‘The Land of Make Believe’ (with thanks to Jim Fieldhouse for his composing and arranging skills) will also be featured.
1. Grimethorpe Colliery (Dr Robert Childs): 1(60pts)/3(54)/1(40)/2(19)/4(17) = 190
2. Cory (Philip Harper): 3(54)/1(60)/6(30)/4(17)/3(18) = 179
3. Tredegar (Ian Porthouse): 7(42)/2(57)/4(34)/5(16)/1(20) = 169
4. Fairey (Garry Cutt): 2(57)/4(51)/8(26)/6(15)/5(16) = 165
5. Flowers (Paul Holland): 4(51)/6(45)/3(36)/11(10)/7(14) = 156
6. Foden’s (Allan Withington): 6(45)/5(48)/7(28)/1(20)/8(13) = 154
7. Brass Band Schoonhoven (Erik Janssen): 8(39)/8(39)/5(32)/3(18)/2(19) = 146
8. Leyland (Richard Evans): 5(48)/7(42)/11(20)/7(14)/6(15) = 139
9. Carlton Main Frickley Colliery (Leigh Baker): 10(33)/10(33)/2(38)/10(11)/9(12) = 127
10. Brass Band of Central Florida (Chad Shoopman): 9(36)/9(36)/10(22)/12(9)/11(10) = 112
11. Woodfalls (Ray Farr): 11(30)/11(30)/9(24)/8(13)/10(11) = 108
12. Virtuosi GUS (Adam Cooke): 12(27)/12(27)/12(18)/9(12)/12(9) = 93
BBC Radio 2’s ‘Listen to the Band’ recently featured two of the band’s performances from the day, which can be listened to below. First is ‘The Witch of the Westmerlands’ featuring Solo Baritone player Rob Richardson and Principal Cornet Paul Hughes. Second is Benjamin Tubb’s ‘Danse Macabre Variations’ used to round off our ‘Fairey Tales’ program theme with pyrotechnic style!
Last weekend the band grouped together with World of Sound to produce a new CD recording set for release in the near future! The session was split in two with Tom Davoren taking the first day and Garry Cutt the second. Below are some photos of the band taken during the two days!
Phoenix – Peter Graham
I’ll Walk With God – Nicholas Brodszky, arr. Goff Richards
Nefarious – Jim Fieldhouse
Dimitri – Rodney Newton
Cornet Soloist: Paul Hughes
Knight Templar – George Allan
For the Love of a Princess – James Horner, arr. Andrew Duncan
The Hall of the Mountain King – Edvard Grieg, arr. Bill Geldard
Bass Trombone Soloist: Josh Cirtina
The Irish Blessing – Joyce Eilers Bacak, Stephen Bradnum
Baroque Concerto for Horn – Johann Quantz, arr. Mark Allen
Tenor Horn Soloist: Paul Bennett
Dance Macabre – Camile Saint-Saens, arr. Ben Tubb
Solemn Entry of the Knights of St. John – Richard Strauss, arr. Mark Preece
Land of Make Believe – Chuck Mangione, arr. Jim Fieldhouse
It’s that time of year again when the band steps up to the stage in the Royal Albert Hall. The band delivered a very strong performance of ‘The Legend of King Arthur’ (Peter Meechan) with excellent execution by all soloists and received a very enthusiastic reception to finish a respectable 5th out of 20 bands. The full results are given below:
- Black Dyke
- Brighouse & Rastrick
- Reg Vardy
- Wantage Silver
- Cooperative Funeralcare
- Virtuosi GUS
- Bury Port Town
- Friary Guildford
- Tongwynlais Temperance
- Carlton Main Frickley Colliery
- Desford Colliery
- East Yorkshire Motor Services
Congratulations to Black Dyke on their victory!